Commissions – WIP

Cuddles & Minou

I have always avoided commissions (usually by quoting such an exorbitant price that I manage to scare the client away). I was once asked to do something “about this big” (gesture with hands to indicate a piece about 24″X36″) in “browns and blues to go over my daughters bed”. Her budget was around $200, I suggested she visit imagekind and select something she liked. I have finally got a commission that I haven’t been able to avoid though. It is a portrait of two pets, the only “children” of a couple of friends of mine. I visited and tried to get some photographs but was unable to catch them together, I also have a couple of snapshots provided by the client, one is literally of their backs. I have put together a pastiche with Photoshop and am trying to paint something from that. I kinda feel like it is the commission from hell. I have never been a pet portraitist, the only animals I have painted being my own, ones I know intimately and don’t really need photos for.

Here is my progress so far. I will come back to it after the holiday and see if I can pull my ass out of the fire.

Self Portrait 2

2.5"X3.5" Acrylic on paper

OK, it is a bit weird. I don't think I have ever done a self portrait from a photograph before, only with a mirror. The photo was also very low resolution, a snapshot taken with my webcam. I actually played with this in Photoshop and nearly posted a digitally enhanced version, but that seemed a bit silly as it didn't really look too much different from a digitally enhanced version of the original photograph.

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Asleep on the Train

3.5″X5.5″ Pencil on paper

There are some advantages to drawing people while they are asleep. This lady was completely oblivious to my presence, although the man beside her was giving me some funny looks. Of course her head kept nodding forward which spoiled my concentration somewhat. The Moleskine notebook’s pages are so thin that the drawing I did on the page behind is showing through on this one. That is for another day.

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Girl Reading

16″X20″ Oil on board

I am still in a creative slump so I thought I would pull one from the archives again. This is only a couple of years old and is a rare attempts by me to paint solely from a sketch. The likeness is abysmal and I was so unhappy with the head that I painted over it several times. I am pretty sure that this painting no longer exists in this form. I started out thinking that I could do something Modiglianiesque, but somehow when it came to the face I just got all literal (without actually getting it right). The result is that it looks pasted on.

I have so many old paintings that I am not happy with, some from my Daily Painting days and some from before. I am wondering if I should start a new project, try to resolve some of these issues, go back and kick the can again? I need to do something different because I seem to have run up against a brick wall. I am boring myself to distraction.

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Boy thinking

5″X7″ Oil on board

This isn’t a good likeness, it looks more like my grandfather than my son. Still I do need to paint more portraits.

It has been a very stressful day. My computer has died, or at least its video card has, but it took me all day (and two monitor cables) to figure that out. Now I have to decide whether it is worth throwing any more good money after bad and fixing it, or do I bite the bullet and get that new laptop I have been dreaming of. My husband is letting me use his iMac to post this, very nice but out of my range I am afraid.

The Boy in the Car

5″X7″ Oil on board

I don’t do many figures, let alone portraits so I really need the practice. I used the same limited palette for this that I used for the winter forest scene yesterday, minus the terre verte. I think it works quite well for a portrait, especially one with this sombre mood. The woman who recommended it (I wish I could remember who) called it the “Old Master Palette”, but that can’t really be accurate. The two siennas have certainly been available since the dawn of time but paynes grey is a relatively recent invention and includes ultramarine, which was very expensive until it was sythesized in the 19th(?) century. I need to research this further, I am sure it is all in Phillip Ball’s excellent book Bright Earth: Art and the Invention of Color.

Edit: Got it, it was Exploring Colorby Nita Leland.

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The Cellist

5″X7″ Pencil on paper

I thought it was time to do some more figure studies and I haven’t drawn my kids for a while. I love drawing them when they are playing, their instruments are so beautiful and the intense concentration with which they play is very appealing. Drawing and painting people from photographs is actually very hard, I try to do it only when I am painting people I know very well. Even then it is easy ro allow distortions to creep in.

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Self Portrait 1

4″X6″ Oil on panel

It has been many years since I have attempted a self-portrait and the intervening years have not been kind. The result is both more and less hideous than the reality and even more humbling than this daily painting exercise is wont to be anyway. Is my face really that long? Probably not, although long and narrow has always been one of its defining characteristics. Nonetheless, I need to do more portraits and life studies and the self-portrait is the time-honoured method for honing that skill. I used a small make-up mirror, I was tempted to use the other side which would have given me a more abstract and even less recognizable picture, I may try that another time. I think I am going to try to do a self portrait every week or so in various different media.

Update on the digital picture frame: I ended up taking it back, it turned out to be a piece of junk. It had a flicker which started after about 30 seconds, I was going to start rolling on the floor and foaming at the mouth. You get what you pay for I guess, and it was cheap.

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